Human beings are just things to be belched out from the Tube exists (‘Eructation of unhealthy souls’): as with The Waste Land, modern man has lost his spiritual way. [17] PopMatters praised the album, saying "Producing three major-label albums in four years has developed Lana Del Rey into an artistic innovator who fearlessly draws from style and substance across the past century, whose vision is completely original and not remotely predictable". "[49], The eighth track on the album is an interlude entitled "Burnt Norton (Interlude)", the short spoken-word piece features Del Rey reciting an extract of the first poem from T. S. Eliot's Four Quartets, which speaks about the nature of time, and meditates on the idea of fate, with an underlying suggestion our present experiences are out of our control. [96] The album dropped to number 15 the following week. ‘Burnt Norton’, as Peter Ackroyd remarked in his biography T.S. ", "Lana Del Rey is Already Recording Her New Album", "Lana Del Rey talks about her Globe-nominated 'Big Eyes' title track", "Lana Del Rey announces new album Honeymoon", "Hear Lana Del Rey's Synth-Driven New Song, 'High By the Beach, "Lana Del Rey remains in the honeymoon phase of her career with "Honeymoon, "Lana Del Rey: Honeymoon review – self-indulgent but sophisticated third album", "Lana Del Rey, Honeymoon, review: 'manicured melancholy, "Lana Del Rey, Honeymoon – album review: Dark side of the American Dream is presented with unflinching skill", "Lana Del Rey's new single 'Honeymoon' is six minutes of meandering bliss", "Lana Del Rey releases haunting new single 'Honeymoon, "Lana Del Rey's first full song from 'Honeymoon' is here and we're feeling it, big time", "Listen to Lana Del Rey's Cinematic New Song 'Honeymoon, "Hear Lana Del Rey's Hypnotic New Song 'Terrence Loves You, "Lana Del Rey premieres her synth-led new single 'High by the Beach, "Lana Makes Rap Work on 'High by the Beach, "Listen to Lana Del Rey's new single 'High By the Beach, "Lana Del Rey's 'High By The Beach': Listen To The 'Honeymoon' Single", "Single Review: Lana Del Rey, 'High by the Beach, "Lana Del Rey 'High by the Beach': The second Honeymoon single is a synth-soaked return to the artist's Born to Die days", "Lana Del Rey's Sun-Soaked Nightmare 'High By The Beach' Is Here: Listen", "Lana Del Rey Premieres Second Honeymoon Track: 'High By The Beach, "Lana Del Rey's 'High by the Beach' is her catchiest song yet", "Hear Lana Del Rey's New Single, 'High By The Beach, "Listen to Lana Del Reys new song High By The Beach", "Lana Del Rey unveils a lethargic new stoner anthem, 'High by the Beach, "Lana Del Rey's Honeymoon album: A track-by-track first listen review", "Lana Del Rey: Honeymoon review – cinematic glamour and skeletal beats", "Lana Del Rey's Honeymoon Is a Sonic Sedative", "A Letter From Lana Del Rey – The Full NME Cover Interview", "Head to Head: Lana Del Rey's Honeymoon is universally underwhelming", "Lana Del Rey's sombre 'Honeymoon' evokes the classics", "Album Review: Lana Del Rey – Honeymoon – Impact Magazine", "Lana Del Rey's 'Honeymoon' her best yet", "The 5 best tracks on Lana Del Rey's new album | New York Post", "Here's What Happens When You Call The Name On Lana Del Rey's Honeymoon Cover", "Lana Del Rey answers fans' calls from phone number on 'Honeymoon' album cover", "Lana Del Rey's 'Honeymoon' Cover Surfaced Online And Fans Are Not Impressed: See Their Tweets", "Lana Del Rey Teases 'Honeymoon' on Instagram", "Lana Del Rey on Instagram: "PRE-ORDER TOMORROW. Del Rey finished the recording of her third studio album, Ultraviolence, in March 2014, and by June of the same year she had begun working on a follow-up idea stating that the process was "growing into something I really like. Besides working with Ronson, Del Rey also worked with Dan Heath and Rick Nowels, with the pair Del Rey began writing small pieces for independent films continuing to state that "Dan Heath and Rick Nowels are two of my dearest friends and producers and we are always up to something". "[79], The Daily Telegraph awarded the album four out of five stars, and called it "an ambient album for broken-hearted hipsters" and praised the melodies and arrangements on the album. It was released on September 18, 2015, by Polydor Records and Interscope Records, and was produced by Del Rey alongside longtime collaborators Rick Nowels and Kieron Menzies. ALL RIGHTS RESERVED. [97] In France, Honeymoon has sold 50,000 copies. my mind is totally demolished by this poem,incredible…. [31][32] Relatively upbeat and structurally sedate,[33] it serves as a combination of all Del Rey's musical styles, particularly recalling the hip hop and trip hop influences of Born to Die (2012). https://www.instagram.com/p/99QuJ1n5SO/?taken-by=davidmyrick, https://lanadelrey.fandom.com/wiki/Burnt_Norton_(Interlude)_(song)?oldid=91910, Kieron Menzies — production, recording, mixing, engineering, Trevor Yasuda & Chris Garcia — engineering, additional recording. 1 Background 2 Composition 3 Promotion 4 Cross-references 5 Official versions 6 Lyrics 7 Credits 8 References The song was registered on APRA AMCOS during July 20151 with T.S. sono forse entrambi presenti nel tempo futuro. But even this raises further questions – questions which we are probably not meant to be able to answer. The first verse explores themes of denial, apparent in lyrics such as "I don't really wanna break up, we got it going on". Towards the door we never opened Eliot's poem of the same name, which speaks about the nature of time, and meditates on the idea of fate, with an underlying suggestion that our present experiences are out of our control. Throughout the chorus there is brief saxophone sections inserted and David Bowie references with lyrics such as "Ground control to Major Tom/Can you hear me all night long?". Gill continued in-depth to say: Honeymoon finds Del Rey reverting, after the more atomised, individual characters of last year's Ultraviolence, to a composite persona closer to the dissolute subject of her Born to Die debut. "God Knows I Tried" "Burnt Norton (Interlude)" (registered as "Burnt Norton") is a song by Lana Del Rey that is featured as the eighth track from her fourth studio album and third major-label studio album, Honeymoon. [11] "Salvatore" was described as a two-step song by Nina Corcoran of Consequence of Sound, Corcoran noted the song sound as being "straight out of a resort hotel ballroom" before to continuing to describe the track as having jazz drums with "clean and rich" production. Burnt Norton is the first poem of T. S. Eliot's Four Quartets. Are both perhaps present in time future *sales figures based on certification alone, The eighth track on the album, "Burnt Norton (Interlude)", hears Del Rey reciting an extract of the first poem from, Reviews published in several publications, including, CS1 maint: multiple names: authors list (, List of number-one albums of 2015 (Australia), List of number-one albums of 2015 (Ireland), "Lana Del Rey's Honeymoon Is MOJO's Album Of The Week", "Lana Del Rey Q&A: On 'Big Eyes' and Her Upcoming 'Honeymoon' Album", "Mark Ronson won't be on Lana Del Rey's album: 'I hate to crap all over your excitement, "Lana Del Rey Coming Out With New Album For 2015? You can read ‘Burnt Norton’ here.
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