53-59. (Eds.) 29 These treatises are to be understood in connection with the development of ragamala paintings in Indo-Persian courts treated by Miner in the present volume. 67-77. as described in Mughal sources, where poetry and music often came late at night; see ‘ Abd al-Sattar ibn Qasim Lahori. 30 About the origin of theatre in the Nāṭyaśāstra, see Lyne Bansat-Boudon, Poétique théâtre indien (Paris: École Française d’Extrême Orient, 1991), pp. 109 and 252. by Kalpana Bhowmik (Dhaka : Bangla Academy, 1999), p. 332. composition meaning in bengali: রচনা | Learn detailed meaning of composition in bengali dictionary with audio prononciations, definitions and usage. 63-65. Everyone was cheerful and the dancers danced. The hierarchy was less pyramidal than in royal courts and beside the patron who hosted the assembly, other individuals of similar ranks were present, such as other Muslim dignitaries or religious men. The other contests the students had to vie in were designing a book cover, radio jockeying, poetry 'composition' , hairstyle, make-up, modelling and recitation. After Bengali, the regional culture language, Persian seems to have been the second language of communication. 13The point here was not only to shift from the Sanskrit to the Bengali literary tradition but rather to provide Paragal and his courtiers with a more performable version of the story, which in its original form and in this court milieu, was hardly fit to be publicly performed.20 What should also be kept in mind is that, unlike Sanskrit texts, Bengali panchalis were not at first linguistically sophisticated. 12Bengali literary texts were part of a larger performing tradition that included music, dance, and dramatic improvisation. let text2 = i2.value || i2.placeholder; In the amusements of chants and dramatic performances, Chandrani with Lorak were served by well born young girls”); Alaol, Satī-Maynā Lora Candrāṇī, ed. He then became a central figure of the artistic milieu of Mrauk-U and worked under the patronage of various dignitaries between 1651 and 1671. 0000143551 00000 n 4-5; Ketakadas, Manasāmaṅgala, ed. The complex relation between the content of the Sanskrit treatises, the fragments of Alaol’s own technical texts, and the information provided by his poem still await further study. Kitkatwords.com, Copyright © 2020. 2: 6-8; see also Ahmed (1994) and Al Deen (1995), pp. 32-40; and Saymon Zakaria, Bāṃlādeśera lokanāṭaka: viṣaya o āṅgika-vaicitrya (Dhaka: Bangla Academy, 2008), pp. Your email address will not be published. 29In these lines, Alaol exposes various aspects of an artistic performance — from the motivations of the patron to set up a nrityashala to the critical preoccupations of the court poet who must show his erudition in order to remain credible in front of the assembly.48 Again, Alaol slips from text to context. 8-10. In the case of premodern Bengali literature, however, neglecting the fact that texts were performed leads to a misunderstanding, not only of the way poems were composed, but also of the dynamics at work in the formation of the literary tradition as a whole. 1 “Some gracefully [played] the kavilāsa and other instruments, while others were singing songs with their beautiful voices”. But they were also sung, and legends about their authors often provide a setting in which the poems have been originally composed. 3 See infra for a discussion of the origin and meaning of the term panchali. This approach is aligned with what P. Zumthor wrote about oral literature and the fragmentary nature of the text (1983, p. 56). In many cases the poet is presented as a kind of original performer rather than an “author”. });
endstream endobj 30 0 obj <> endobj 31 0 obj <> endobj 32 0 obj <>/ExtGState<>/Font<>/ProcSet[/PDF/Text]/Properties<>>> endobj 33 0 obj <> endobj 34 0 obj <> endobj 35 0 obj [/ICCBased 51 0 R] endobj 36 0 obj <> endobj 37 0 obj <> endobj 38 0 obj <> endobj 39 0 obj <>stream The last two trends of composition or forms are almost the same, and the name of this form is ‘panchali’” (Sen (2000), Vol.document.querySelector('.speak').addEventListener('click', () => { 77-82; for contemporary panchali representations, see F. Bhattacharya (1984) and Zakaria (2008). about the origin of Drama, combined with elements of Puranic stories such as the birth of the Ganga (the river Ganges), but it does not match exactly with any version known to me.
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