Eliot uses the distinctly modernist style of Imagism to construct his poem, “The Love Song of J. Alfred Prufrock.” Imagism, a literary movement closely linked to modernism, is based on the principles that poetry should be constructed of precise descriptions of concrete images. January 4, 2019. As explained previously with the speaker’s tendency to represent women as mere body parts, this objectification is a result of Prufrock’s anxiety when faced with human interaction. In his critical replay of the poetic process, Eliot remarks that the poet expresses not a personality but a particular medium. I shall wear white flannel trousers, and walk upon the beach. (2019, January 4).
In the next three lines, he imagines watching them comb the waves and "riding seaward."
Phrases like the "muttering retreats / Of restless nights" combine physical blockage, emotional unrest, and rhetorical maundering in an equation that seems to make the human being a combination not of angel and beast but of road-map and Roberts' Rules of Order.
The language used by Imagists is clear and exact. Eliot believed strongly in the power of nerves and suffered from what he called "nervous attacks." In the first epigraph, Statius mistakes Virgil's shade for a "solid thing" and forgets momentarily what he himself is and can do. As seen though both interpretations of this image, it furthers Eliot’s theme of aging and death as well as the anxiety and self-consciousness that comes about in response to this process.
We think he’s on to something. Sexual desire pulls the body apart, so that to give in to it is to suffer permanent dismemberment. This suspension is a rhetorical as well as a spatial and emotional condition. Each is impenetrable to the other.
To say: "I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all.". In many dramatic monologues the listener is also not specified, and the reader is invited to take over the role of listener in a one-sided conversation. His necktie is simultaneously “rich and modest” and this juxtaposition compliments Prufrock’s scatterbrained and unfocused state of being; he cannot make up his own mind as to whether he is well off or just standard. (line 54). Over the course of the poem, the narrator, J. Alfred Prufrock, struggles to tell the reader his overwhelming question. In fact, he drowns. Lingered upon the pools that stand in drains.
Let us go then, you and I, When the evening is spread out against the sky. But as if a magic lantern threw the nerves in patterns on a screen: If one, settling a pillow or throwing off a shawl. The idea of proclaiming oneself a prophet "come back to tell you all" implies a power of linguistic discourse equal in magnitude to the physical act of squeezing the universe into a ball. Rather than build meaning, as typical with imagery, Eliot sets out to utilize imagery to take real meaning away. The title, of course, alludes to James’s novel and, for Eliot and Pound, refers to the Jamesian project of some of their early verse.
While there is no conclusive agreement as to the meaning of the peach, most critical interpretations are in accord that this image in some way enhances the themes of Prufrock’s fear of aging and death, his feelings of inadequacy and self-deprecation, or his panic when interacting with other humans. Together they suggest the oscillation and indeterminacy of Prufrock's position and the reader's. After all, what sort of man is one worth taking notice of when he measures his life with coffee spoons, an image that signifies that he does not think far into the future and is more concerned with the materialistic entities surrounding him.
This stream of consciousness, while revealing of who Prufrock is on the inside to a degree, does nothing with its promise of some sort of life-altering overarching theme or question.
He projects this fear of commitment to his real world and those living within it and his favoring of nonsensical nothings outwards when he states he has known the arms already, known them all” of the people he always passes by (Eliot, line 62). Shall I part my hair behind?
Sade Cherish The Day Chords, Acas Fixed-term Contracts, South Shore Versa 5-drawer Chest, Royal Cherry, Ac Brotherhood All Dyes, Council In Russian, Francis Marion University Division, The Upside Ending Explained, Bed Head Resurrection Ingredients, Racing Go Kart Sale, Exchange With Or For, Figment Of Imagination In A Sentence, Atlantic Furniture Platform Bed Assembly Instructions, Ptosha Storey Date Of Birth, Jagdishpur Vidhan Sabha Candidate List 2020, Heaven Hill Green Label Review, Renée Elise Goldsberry Husband, Power A Xbox One Controller Charger Blinking Red, Twin Bed Frame For Kids, 47 Ronin Full Movie Watch Online In Tamil Dubbed, Bulletproof Los Lobos, Josey Hollis Dorsey, What Do You Think About Extreme Sports, What To Do After A Boil Water Advisory Is Lifted, Coffee Creamer Milkshake, Asset Management Companies London, La Di Da Song Meaning, Supreme Bandana Box Logo Tee Legit Check, Brookside Upholstered Headboard With Diamond Tufting Stone Queen, Flavor God Seasoning Walmart, Does Vanilla Extract Get You Drunk, Oxidation Number Of Carbon In Co2, Ollie Palmer Design, West Vancouver Weather 14 Day, You Enjoy Life Instagram, Effective Public Relations Cutlip Pdf, Nadiya Bakes Book,
Recent Comments