Privacy | With its insular milieu, its secrets and lies, and its teen protagonists aching to be understood, the drama taps into familiar movie territory, a province signposted by such classics as East of Eden and The Last Picture Show. Even though her at-times heavy-handed writing gives away more than it should, Bradley-Colleary deserves all the credit for leaving the resolution open ended and selling all the possible outcomes to the audience with equal plausibility. But director Martha Stephens' atmospheric period piece is in many ways its own planet: The world it conjures is a woman's world — not a world that women created or rule, but one where their longings, dissatisfactions and sorrows are center stage, and most of the story's men and boys look on from the periphery, when they're not lashing out. - November 4, 2020 04:49 pm EST. By creating an account, you verify that you are at least 13 years of age, and have read and agree to the Comicbook.com Terms of Service and Privacy Policy, By Jenna Anderson The screenplay by Shannon Bradley-Colleary veers between the incisive and the overwritten, and Stephens' direction can lapse into self-consciousness. Netflix's Aunty Donna's Big Ol' House of Fun is Sketch Comedy Bliss, Short Films in Focus: World of Tomorrow 3, HBO's Industry is a Bitter Mix of Grey's Anatomy and Succession. The setting is open and airy, but cinematographer Andrew Reed captures the imprisoning vista with all its suffocating bleakness, juxtaposed against the era’s doo-wop ballads, candy-colored outfits and bright red lips. Not used to sharing her time or space — and especially not the haunted-by-suicide pond that has become her personal refuge — Iris gradually warms to Maggie's openness. Sales: CAA. The Craft Spoilers: Cast Spills on THAT Cameo from OG Star (Exclusive) Movies By TooFab Staff | 11/2/2020 8:53 AM PT Everett Collection "It would be … This fact surprised Clint Barton/Hawkeye and Bucky Barnes/Winter Soldier, especially as Natasha was only believed to have been missing for a handful of months. Iris leads the way in the story that appealingly veers into melodrama territory by the third act—on a deserted country road at the start of the school year, we witness the clumsily dressed and bespectacled senior student get bullied by numerous toxic boys who humiliate her. A few steps ahead of the audience, Iris senses a bunch of lies in Maggie's tantalizing tales of her globetrotting photojournalist dad. FACEBOOK “To the Stars” doesn’t reinvent the coming-of-age wheel and maybe isn’t a major entry to the lesbian film canon compared to the likes of “Carol” and “Portrait of a Lady on Fire.” But there is still an undeniable earnestness to this modest period effort that prioritizes misunderstood women and female friendships; still a bizarrely rare beast in cinema, somehow. Francie has undertaken this improvement project with the same poisonous concern that darkens her every exchange with the timid girl. Dramatic Competition) [Warning: The following spoiler story does in fact contain major spoilers for “Star Wars: The Rise of Skywalker.” It’s intended for those who have seen the film. 3: James Gunn Is Not Making the Movie Without Dave Bautista, Fortnite Leak Reveals Full New Black Widow Set, Comic Book Reviews for This Week: 11/11/2020, MCU's Spider-Man Movies Included in New Disney+ Ad. And under the servicable direction of Martha Stephens (“Land Ho!”), debuting screenwriter Shannon Bradley-Colleary’s LGBTQ coming-of-age drama “To the Stars” is refreshingly patient with revealing to the audience why. Yelena revealed that she tested Stevie's DNA, and it confirmed that he definitively is Natasha and James' son. It's a prom dress for her daughter, Iris (Hayward), who has no particular plans to attend the prom. 10:30 PM PST 1/25/2019 In different ways she and Iris are bristling against the girlie expectations of the era: how to look, how to behave, what to want. In segments brutal and unforgiving, Stephens gives the viewer glimpses of the kind of emotional and physical abuse Maggie is subjected to—beaten by her dad, unsupported by her kindly but helpless mother, told by religious figures in the past that her homosexuality can be “fixed.”. Yelena suggested that Natasha might be willingly subjecting herself to this new reality -- based on a surprising piece of evidence. It stars Kara Hayward, Liana Liberato, Shea Whigham, Jordana Spiro, Adelaide Clemens, Lucas Jade Zumann, Malin Åkerman and Tony Hale. | Cookie Settings. And yet for all the suffering and lashing out among the women in the story, hope courses through the film. It’s hard out there for Maggie Richmond (Liana Liberato), the feisty new girl in a sleepy and deeply conservative Oklahoma town of the early 1960s. Iris leads the way in the story that appealingly veers into melodrama territory by the third act—on a deserted country road at the start of the school year, we witness the clumsily dressed and bespectacled senior student get bullied by numerous toxic boys who humiliate her. Set in the repurposed rooms of a small house, the salon is the highlight of Jonathan Guggenheim's understated production design, and the focal point for the story's ever-deepening theme of women's sadness, whether it's sublimated or, as with Iris and Maggie's schoolmates, channeled into sniping pettiness before it can even take shape. It's expressed with unexpected power in one of the final moments, a simple scene beautifully played by Hayward and Spiro. Marvel's Spider-Man: Miles Morales: How Long Does It Take to Beat? As the movie opens, a couple of housewives (as they were then called without compunction) smoke and gossip at a kitchen table. Hawkeye and Winter Soldier's investigation was escalated even further with the arrival of Yelena Belova, who revealed that she's also been spying on Natasha by posing as her kid's babysitter. Director of photography: Andrew Reed Executive producers: Kerri Elder, Blake Elder, Karen Schlossman, Jeff Schlossman, Kevin Christianson, Joe Christianson, Bill Wallwork, Carlos Cusco, Emerson Machtus, Natalia Busquets Production companies: Foton Pictures, Rockhill Studios, Northern Lights Films, Prowess Pictures In the midst of being harassed by a carload of tormenters, she's rescued by the heroic (and accurate) rock-throwing of Maggie Richmond (Liberato), a new girl who arrives in landlocked Wakita like a blast of clean ocean air.
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