valley of the dolls criterion review

Above, Beneath & Beyond the Valley is 2006 making-of documentary that just offers a fairly rudimentary overview of the film’s production gathering together various members of the cast and crew, including Ebert, La Zar, Gavin, Read, Myers, Page, and others. These latter spots, which sound to be bits of advertising in nature, proved to be more worthwhile than I actually thought. I rather enjoyed both, the Travilla one a decent look at the time period and the influences. With a satirical screenplay by Roger Ebert, Beyond the Valley of the Dolls follows three young female rockers going Hollywood in hell-bent sixties style under the spell of a flamboyant producer—whose decadent bashes showcase Meyer’s trademark libidinal exuberance. Dialogue sounds good enough with adequate fidelity. She aptly draws a comparison to Aronofsky’s. Duke expresses her thoughts on the film in not at all subtle terms, stating she’s always hated everything about the film (except for Sharon Tate), but she’s obviously touched that there is a passionate audience for it and she lets the audience there know that. Reviewed in the United States on October 4, 2016. The third features producer David Weisbart (who actually passed away while the film was being edited) and composer Andre Previn, both talking about their respective duties on the film, Previn getting into a bit of detail about his intentions in the score representing the characters. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. Save I've read some scathing reviews of Valley, and I disagree with them all! This might be one of the more surprising editions I’ve come across this year: I didn’t expect much really but Criterion has managed to put together a very respectable edition for the film. Among the discoveries are details about the Valley of the Dolls cruise, author Jacqueline Susann’s casting anger, and John Waters’s homage to Russ Meyer’s follow-up Beyond the Valley of the Dolls. It’s a fairly funny conversation, with Vilanch sharing certain gossip he’s come across (like what influenced the wig-stealing moment in the film) and Duke offering backstage stories from the production. We then get video footage from a Q & A session recorded after a 1990 screening of the film. Colours are a bit questionable: beige seems to be the colour of choice, with some splatters of reds, oranges, and pinks scattered about (it’s heavier during one of the trippier montage sequences), but they can look a little weak, with flesh tones looking a little anemic. Some day-for-night sequences do look a bit odd, with saturation looking a bit poorer in comparison to the rest of the film, but this could be more a byproduct of that particular technique than anything to do with the transfer and/or restoration. He also freely admits that there was no research involved, that characters and situations were based on stereotypes and his and Meyer’s “idea” as to how certain things in Hollywood worked at the time, the parties in particular. Ultimately I enjoyed it. New 2K digital restoration, with 3.0 LCR DTS-HD Master Audio soundtrack on the Blu-ray, Audio commentary from 2006 featuring actor Barbara Parkins and journalist Ted Casablanca, New interviews with writer Amy Fine Collins about author Jacqueline Susann and the costumes in the film, Footage from Sparkle Patty Sparkle!, a 2009 gala tribute to actor Patty Duke at the Castro Theatre in San Francisco, English subtitles for the deaf and hard of hearing, PLUS: A booklet featuring an essay by film critic Glenn Kenny. Now the Criterion Collection has released a new 2K digital restoration of the film, along with its sort-of-but-not-really sequel, Beyond The Valley of the Dolls. The transfer is immaculate, with no signs of film degradation whatsoever, and its smooth, crisp picture makes it look brand new. Surprisingly Criterion hasn’t carried over everything from the previous DVD, which is odd since they carried over most of the material from Fox’s Beyond the Valley of the Dolls to their own edition. Ultimately I enjoyed it. Save Oddly, this never came to pass and Fox themselves eventually handled its release in 2006, along with Valley of the Dolls. Plain and simple. After that Criterion then ports over a number of other video features from the Fox DVD. Shop Valley of the Dolls [Criterion Collection] [2 Discs] [DVD] [1967] at Best Buy. But after Waters’ interview I came out not only with far more knowledge on the history of the genre and Meyer’s work, but with a far better appreciation for them as well. Parkins is ravishing. For the late 60s I can see how people thought this was dirty but in 2018 it’s rather PG13. Three of them are presented here, and each features interviews with members of the cast and crew. In it she also talks a bit Robson, the film’s director, and she manages to work in parallels to Requiem for a Dream because, hey, why not? Reviewed in the United States on October 28, 2016. Who ever thought Criterion would release "Valley of the Dolls" (from now on described as Valley in this review) on blu-ray? Carried over from the original DVD and called A World Premiere Voyage, the 48-minute 1967 piece appears to be an advertisement for both Valley of the Dolls and (I think) Princess Cruises. Collins does focus fairly specifically on the period around Valley of the Dolls, looking at the blow back she did face because of it, whether it be sexism, not being taken seriously by literary circles, shamed by ultra-conservatives or feminists. It’s a decent all-encompassing essay with a few humourous moments, like his comparison of Susann’s failed attempt in getting the word “Dolls” (a reference to pills)into the mainstream to Lacey Chabert’s character from Mean Girls trying to get “fetch” to “happen.”. The presentation for this film is a fairly pleasant surprise; despite not being as colourful or energetic looking as Beyond the Valley of the Dolls (thanks a lot to its heavy use of beige) the image here manages to look quite a bit better than its quasi-sequel. Save, Based on the hit book by Jacqueline Susann and directed by Mark Robson for 20th Century Fox, 1967’s. I rather enjoyed both, the Travilla one a decent look at the time period and the influences. Where do we start? After a few decades in the making (judging by various special features on this release), Russ Meyer’s cult sexploitation flick Beyond the Valley of the Dolls finally comes to the Criterion Collection, delivered here on Blu-ray in its original aspect ratio of 2.35:1. She’s apparently there but no one can find her.). As a time capsule it’s interesting, though its main source of value really isn’t from making someone today feel superior to another time, but more in just getting a very upfront, personal look at Susann (who Collins describes as a “tough broad” and that shows when she stands up to those that seem steadfast in shaming her) and offering a perspective on why the novel did cause such a controversy. Criterion includes a DTS-HD MA 3.0 LCR track, meaning the sound is directed to the front left, center, and right speakers. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Criterion then includes a couple of interviews featuring writer Amy Fine Collins: Once Was Never Enough, a 22-minute discussion about the life and work of author Jacqueline Susann, and Travilla: Perfectly Poised, a 7-minute piece about the film’s fashion, designed by Travilla. Overall it’s a nice presentation, not overly showy, but fitting for the film. "Valley of the Dolls" is my favorite movie. Criterion then includes a couple of interviews featuring writer Amy Fine Collins: Once Was Never Enough, a 22-minute discussion about the life and work of author Jacqueline Susann, and Travilla: Perfectly Poised, a 7-minute piece about the film’s fashion, designed by Travilla. But it was the Susann piece that I most enjoyed. Much better is another 1967 film, Jacqueline Susann and the Valley of the Dolls, which was also on the original DVD. The included booklet (yes, an actual booklet) features a great essay on the film by Glenn Kenny, covering the changes going on in the studio system that led to Fox looking to Meyer to make the film, followed by a reprint of an article by Stan Berkowitz, which is also a fascinating read. This commentary works on a few levels thanks to Ebert’s involvement with the film, along with his knowledge of Meyer’s work and film history in general. They’re all fairly typical studio features. Patty Duke plays a thinly veiled version of Judy Garland, named Neely, an actress and singer whose star rose too quickly and gave way to drugs and erratic behavior. Throughout the features found on this disc Ebert pops up quite a bit and in just about all of them he mentions how Fox has mishandled the film through the years, treating it like a black mark on their history. As a time capsule it’s interesting, though its main source of value really isn’t from making someone today feel superior to another time, but more in just getting a very upfront, personal look at Susann (who Collins describes as a “tough broad” and that shows when she stands up to those that seem steadfast in shaming her) and offering a perspective on why the novel did cause such a controversy. Back in 2003, when Criterion first started licensing titles from Fox for DVD, Beyond the Valley of the Dolls was a heavily rumoured title to be coming from the company because of comments made by Roger Ebert. Cutthroat careerism, wild sex, and fierce female protagonists are all on offer in this adaptation of Jacqueline Susann’s sensational and wildly popular novel. It runs about 16-minutes. Susann had passed away long before Collins wrote the article (which can be found here) but Collins almost gives off the impression she knew her personally, more than likely because of the research, and that makes this a much stronger feature. The presentation is very good and the features turn out to be engrossing and somewhat illuminating. (One amusing bit to both tracks is how neither Ebert nor the participants of the second track can locate Pam Grier in the party scene. contains everything you’d come to expect. And, as presented by the estimable Criterion Collection, awful and incredibly fun never looked so good. Skips over half the book. Featuring actress Barbara Parkins and entertainment journalist Ted Casablanca (not to be confused with the Ted Casablanca in the film) it’s more of a fan track I would say and not a very in-depth look at the film itself, other than some behind-the-scenes tidbits. The third features producer David Weisbart (who actually passed away while the film was being edited) and composer Andre Previn, both talking about their respective duties on the film, Previn getting into a bit of detail about his intentions in the score representing the characters.

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