In this article, you must include the following: You are to undertake research about ONE of these characters from Shakespeare in Love: Ø Is able to summarise material efficiently, with all meanings clearly delineated. - High royalties for the sales I’ll confine myself no finer than I am. Forty years after Twelfth Night was written, the Civil War saw them running the country; a fact that critics often claim the play very accurately foreshows in Malvolio’s somewhat disconcerting exit line, “I’ll be revenged on the whole pack of you” (V. . Annotated Hypertext Version of Twelfth Night, Lamb's Tales Simplified Version of Twelfth Night, Spark Notes - Excellent summary of Twelfth Night, Christopher Marlowe - A Comprehensive Site, Christopher Marlowe - From Theatrehistory.com, Philip Henslowe - A Comprehensive History, Philip Henslowe - from Theatrehistory.com, Home of Comprehensive Elizabethan Research Sites. Unlike Samuel Pepys, I cannot contend that the play has nothing to do with the feast – indeed I will argue that the festival of Twelfth Night and the traditions surrounding it are central to both the sustaining mood of the play as well as its final outcomes. To find out more about cookies or to manage the usage of cookies, please read our privacy policy. endobj Ø Can articulate a good response to language. 4.1. Marriage, 3.1. r��������H�Pv�l$]fwuӧ��[�Ş3 D�36�.�` ��| Ø Can analyse a text from two different perspectives with sophistication and flair. SEXUAL TRANSGRESSION FOR POWER AND IDENTITY: A GLIMPSE ON SHAKESPEARE’S TWELFTH NIGHT Radha Devi Sharma (Nepal) ABSTRACT Crossing social restrictions for identity and status is o! It is interesting that in doing so, she also rejects the conventional forms of wooing as she takes the initiative both in appearance and in fact; much as Viola does on Orsino’s behalf. 30), and the humour of the “box-tree” scene and his appearance in yellow stockings “derives from the incongruity between his puritanical rectitude and the context in which he finds himself…”. In this way, Shakespeare departs from both classical Roman comedy and the Petrarchan tradition in which “the focus is on the man, the initiator.”. Orsino, Olivia, Sir Toby, Malvolio, and implicitly, Maria’s love interests lead them across the divisions of the social classes defined in the play, just in the way that social codes were reversed during the period of Twelfth Night. 21–44. 211–27. Ø Can articulate some personal responses to text. But Howard argues that, in Twelfth Night, the cross-dressed Viola fails to challenge this social order, while Olivia powerfully challenges it. Viola’s arrival suggests an influence from the external world – our world, the world of the audience – where festivity is confined within proper boundaries, and an apposite balance of ravity is achieved: nothing occurs in excess. But there are also two women in the play, who do not dress up as men: the Countess Olivia and her waiting woman Maria. As one of the characters who challenge these social constructions, Viola dresses up as a man and transforms the conventional ideal of women in Elizabethan England. His social status is quite clearly defined – he is the steward of Olivia’s household, a figure who, in the Elizabethan period was a highly trained and often well-educated person with responsibility for the running of a large house and estate. Howard, Jean E. “Crossdressing, the Theatre, and Gender Struggle in Early Modern England.” Shakespeare Quarterly 39 (1988): 418–40. Turner 94). This is the Term Two Shakespeare Assessment. The Puritan faction was a crucial part of Shakespearean society, providing a threat to both the social and religious traditions of generations. Ø Is able to summarise material, but not in a concise fashion. In 'Twelfth Night' he plays with the cultural constructions of his time, for example the question of gender and erotic attraction, even between partners of the same sex. Love and Transgression in a Time Machine. Summers, Joseph. Ø Can clearly articulate personal responses to text with depth of understanding. Novy follows the linguistic implications of “mutuality”: the mutual dependence of romantic couples in Shakespeare’s comic world. Shakespeare’s preoccupation with the comedy of mistaken identity takes subtlest form, for Kermode, in Twelfth Night, where the inability certainly to distinguish between what is meant and what is said, between things as they are and things as they appear to be, develops “a peculiar relevance to life itself.” Kermode terms the play a “comedy of identity, set on the borders of wonder and madness.”. The plot of each play is founded on the explicit presence of illusion and the pervasion of dominant belief systems which serve to legitimize the power structures found within. They can sometimes share the authority with men but the male must “retain his authority at all times“ (cf. The Transgression Of Gender In Shakespeare's Comedy 'twelfth Night' DOWNLOAD HERE You are to undertake research and reflections based on perceptions of Shakespeare in two eras. KE(R�bj�Fi�]}^����mz�jc]RJ�m���aʈ��_/�_tH��HݗU����Z���s 9��# �vm����&�����4��^�v��Ǯ�c�@Uax�Fb�U�o{`�|��Ì1Κ�cA��o�y�MV�y�+�2җij����\�v*�NE�C�7�P�p$�ł[扤���v�����m�ϢXov}��)m���J$��L[��d��?iRf�)��2�������y*��?��m���_!�%�ܨ"s�$�D�����T��g���N�3�[sp��Ɔ�b6`c��8�6F�����=��a0s7a��G����fP)4�����LJx�)Q�;p��.d������������ˈ��*p��xd=Z@3n����l��8X�4m�l�ݻ~��JVG�"/�D(K��Uݬ��M���{���x���@�!�����LGA�PCȗ�#�����:/��(�����0�z�/# Ø Can analyse a text from two different perspectives with sophistication and flair. Ø Is able to summarise material, but not in a concise fashion. And also Orsino, who is a duke, has no interest in Olivia's actual thoughts and feelings. 3 0 obj<> The only reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2, 1602. 16 0 obj <>stream 114-15), is essentially a rejoinder to the sobriety of the Puritans. Sorry, but downloading is forbidden on this website. endobj Maslen 133). endobj The only reference to Twelfth Night during Shakespeare’s own lifetime is to a performance on February 2, 1602.
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